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The Berezovsky machine outlived its patron

Boris Berezovsky combined money, Kremlin access, television, campaigncraft and creative talent into a private political operating system. By 2026 its former specialists had scattered across media, consulting and satire — often on the opposite side of the order they once helped shape.

This item was produced with AI assistance under the editorial responsibility of Haydamax OÜ.

Boris Berezovsky left no coherent doctrine behind him. What survived was closer to an operating model for power.

In late-1990s Russia, the businessman treated political influence as something assembled from complementary assets: capital, elite access, mass television, management, campaign expertise and creative execution. A later English High Court judgment described his editorial influence over ORT as one of the principal sources of his political power between 1995 and 2000. Contemporary reporting showed how that media leverage was deployed in the struggle over Russia's succession.

In December 1999, Berezovsky acknowledged that he had participated in persuading others that a new political “construction” around Vladimir Putin as Boris Yeltsin's successor was possible. He did not claim sole authorship. But he was among the actors backing the pro-Kremlin Unity bloc while ORT attacked rival figures such as Yevgeny Primakov and Yuri Luzhkov.

That distinction matters. The durable legacy is not the simplistic claim that one oligarch “created Putin”. It is the recognition that a modern political outcome can be engineered through an integrated supply chain of access, media and specialist labour.

Berezovsky soon discovered the limits of informal control. After Putin became president, he moved into open criticism of the Kremlin, lost his former influence over ORT and went into exile in Britain. On 23 March 2013 he was found dead at his home in Ascot. The subsequent inquest returned an open verdict: police found no evidence of a violent intrusion, but conflicting expert evidence prevented the coroner from making suicide the definitive finding.

The careers of five people linked to his orbit show what happened to the parts of that old machine.

Stanislav Belkovsky was the framing specialist. He has said that in 1999 he worked for Berezovsky on the ideology of Unity, while rejecting claims that he helped construct Putin himself. In 2026 Belkovsky is a public political analyst, writer and broadcaster. The closed campaign function has become an open media function: naming trends, defining frames and giving audiences a language in which to understand events.

Mikhail Sheitelman represented communications. In memoirs and interviews he has described himself as a consultant and media adviser to Berezovsky, with a broader background in campaigns and media management. Today he operates as a political technologist and commentator with his own digital audience, active in the Ukrainian media space. The technology has flipped. Berezovsky's power depended on access to a national television network; Sheitelman's reach depends on personal distribution through YouTube and Telegram.

Demyan Kudryavtsev represented infrastructure. A Meduza profile described him as Berezovsky's right-hand man, press secretary and adviser, involved with the media assets surrounding ORT and Kommersant. His subsequent career moved from a patron's apparatus to institutional media management. He ran Kommersant and later became associated with ownership of Vedomosti and The Moscow Times. In recent years he has also appeared publicly as a poet, media executive and émigré commentator.

Alexey Sitnikov represented campaign execution. Sitnikov has recalled running an intensive 1999 Duma campaign for Berezovsky in Karachay-Cherkessia, ending with a parliamentary seat. By 2026 his public business is considerably broader. His own site presents political consulting alongside strategic coaching, psychotherapy, education and organisational change. A skill once sold as electoral technology has been absorbed into a larger consulting market.

Andrey Orlov, known as Orlusha, represented creative. Meduza's account of the Unity campaign describes him being brought in as a creative political technologist. In 2026 he is primarily a poet and satirist, contributing to the revived Citizen Poet project. The technique remains political, but the client has vanished: campaign creativity has become oppositional cultural production.

This makes “continuing Berezovsky's work” an imprecise description. The five men do not form a successor network. They do not share a programme, employer or even political direction. Several now work in environments sharply hostile to the contemporary Kremlin.

What has endured is the division of labour. Political meaning still has to be framed; messages still need distribution; infrastructure still needs managers; votes still require campaigncraft; attention still rewards creative compression. In 1999 those capabilities could be concentrated around an oligarch with a television asset and Kremlin access. In 2026 they are dispersed among personal channels, media businesses, consultancies and cultural projects.

Berezovsky's most consequential creation may therefore have been a system he could not ultimately own. He helped demonstrate how private resources could be converted into political reality. Putin's Russia then centralised much of that machinery under the state, while many of the specialists who once inhabited Berezovsky's ecosystem went elsewhere. The operating logic survived; the patron did not.

Same event, other desks

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