A tradition running from Robert Rauschenberg's White Paintings and John Cage's 4′33″ to Yves Klein, Doug Wheeler and the Rothko Chapel shows how postwar artists turned silence, emptiness and withdrawal into a way of redirecting attention toward the world around the work.
When Art Withholds the Image, Absence Becomes the Subject
A tradition running from Robert Rauschenberg's White Paintings and John Cage's 4′33″ to Yves Klein, Doug Wheeler and the Rothko Chapel shows how postwar artists turned silence, emptiness and withdrawal into a way of redirecting attention toward the world around the work.
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